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Sorry for being so quiet.  Usual disclaimer about work consuming my life applies, but that's nothing new.  The big thing thath as come up in the last week has been Jazz getting sick.  Jazz is the 14 year old tabby girl that belongs to my girlfriend.  You've seen at least one picture of Jazz in Yawn Apex.

The full details can be found in this entry in my LiveJournal.  The short story is that Jazz lost 4 of the 11 pounds she was, bringing her to 7 pounds and change.  We took her to the vet, had blood work and a urinalysis done, and found out she's sick with Chronic Renal Failure, a disease that is ultimately terminal but can be treated in such a way that she may have months or even years with us still.

It's a lot of work and the prospect of losing our little girl takes a lot out of me.  Paired with my job I simply haven't had very much time to do any photography or even be online.

Sorry for the dump-and-run, but I have to go get her next round of food ready.  I hope everyone's enjoying spring!
  • Listening to: Computer Fans
  • Drinking: Caffeine-free Diet Pepsi
Wow.  I'm surprised and pleased to share some news about Missing Door, a photo from the set I shot a few years ago at the abandoned farm in Bolingbrook.  

On December 11th :icontaintedtruffle: put together a collection called "Abandoned Places," with some execellent narration and some stunning photographs of ruin and decay.  Missing Door was one of those photos!  I'm honored and incredibly pleased to be featured there.

A little boost to the ego is good to have once in a while, you know?

The collection can be found at…
  • Listening to: Snowblowers running
  • Reading: Ted Nugent: God, Guns & Rock 'n' Roll
  • Eating: BD's Mongolian BBQ
  • Drinking: gin & tonic
Posting some photos of decay and ruin from the parents' farm, where I spent Thanksgiving this year.  I'm about halfway through right now, and I hope to have the remainder of the uploads done by Friday night.  Sadly there's really only three or four subjects I'm happy with sharing, but I've got plenty of shots of them to post -- for better or worse.
  • Listening to: Blue Man Group
  • Reading: Ted Nugent: God, Guns & Rock 'n' Roll
  • Eating: Trail mix
  • Drinking: Vodka & 7up
For the last few weeks I've been pretty busy both around my home and at the office, so I ended up taking an impromptu hiatus.  It's hard to believe but I actually do miss the time I spend doing post-processing and posting -- probably because it was such a great way to relax each Friday night.  My usual routine is to get home from work, have a spot of dinner and then plop myself in front of the computer to drink a few gin and tonics while I fire up LightRoom and do my processing.

I'm hoping that after the 7th of July I'll be able to get back to a more regular schedule again.
  • Listening to: Work-related conference call
  • Reading: Ted Nugent: God, Guns & Rock 'n' Roll
  • Watching: NSM log viewer
  • Eating: Breakfast
  • Drinking: Decaff coffee
It's been a while since I've shot on film, and I had a reminder this week as to why I've all but abandoned the venerable old medium.  Yesterday I was on my way up to the Memorial Day party that I've already posted a few photographs from, but needed some supplies so I made a stop at Walgreens.  Walgreens does film development, and they conveniently place their prices up on a sign by the counter.  A twenty-four exposure roll is processed at Walgreens for $6.99 USD.

24 exposures for $6.99, making it just shy of 30 cents per frame.

As of last night I've shot over 8,945 frames.  At 30 cents a frame, that would put me at $2,683.50 in film processing fees alone.  I spent approximately $4,500 on my kit back in October of 2007.  The body of the 40D was $1,299 USD... so it has already more than paid for itself and (surprisingly enough) two of my lenses, with us well on the way to paying off a third.

Don't get me wrong, I love film... but hot damn, I love me some technology when it helps pay for itself like this.
  • Listening to: DJ River - The Red Room (Digitally Imported)
  • Reading: Ted Nugent: God, Guns & Rock 'n' Roll
  • Watching: House, M.D.
  • Eating: Trail mix
  • Drinking: Gin & Tonic
As many of you have noticed, I take pictures of things on occasion.  Sometimes I even share some of the pictures I've taken.  To set expectations here, I am not by any means a professional photographer, nor do I fancy myself such.  I also enjoy sharing my photographs and do not ever expect to make a living from my photography.  That does not mean, however, that I like the idea of somebody being able to use one of my photographs for some sort of commercial purpose without offering me some sort of compensation and/or credit (like what happened to Chris Gregerson) or giving me the option to refuse them the ability to use the image.  So when I post on places like deviantART I normally leave the standard copyright notice in place, because it's standard and relatively well understood[1].  But recently I observed that there is a Creative Commons licensing option when posting to deviantART.  Choosing the Creative Commons ( or 'CC' ) 3.0 licensing option allows me specify what sort of licensing conditions I want to set on my copyrighted work.  For example, I can choose Creative Commons Attribution-Noncommercial-No Derivative Works 3.0, which says that my work is free to be shared as long as they provide proper attribution, are not using it for commercial purposes and do not alter, transform or build upon the photograph.  That setup is pretty cool by me because I'm happy to be able to share my works and get my name out there.

On the surface this seems relatively straightforward, but I am at times a cautious person.  Before I lept in with both feet I did some Google research to see if I could figure out what impact, if any, CC licensing might have upon my powers as copyright holder.  I know full well that it doesn't replace copyright but it does interface with it.  Unsurprisingly I am finding it difficult to wrap my head around the ramifications.  In this respect I am not alone: people seem to be a bit confused about how Creative Commons licensing works, even when they're high-paid corporate lawyers or professional writers focused on the photography industry.  Some folks have, as near as I can tell, entirely misunderstood how this works and have subsequently posted hysterics about the Creative Commons license as it applies to photography and the rights of the photographers.  There is also plenty of evidence proving that even with Creative Commons licensing, violations can still occur -- although that's hardly unique to CC (see the above link to Chris Gregerson's story)!   It's hard to separate the signal from the noise and find any truly authoritative answers to the questions that are being raised, be they legitimate or irrational.

But putting the FUD authors aside, Lucy still has some 'splaining to do.  For example, one of the big problems is that Creative Commons doesn't provide a great deal of clarification about what constitutes "commercial" work.  For example, if a not-for-profit wants to use one of my photographs in a flyer they're free to do so under the "non-commercial" part of the license so long as they provide the necessary attribution/URL linkage.  However, this is where the grey areas start.  What if a newspaper wants to use the image for an article in a story running on their site that requires a pay-subscription to access?  Would that not be considered commercial use? It would seem so.  Now, what if the site doesn't require a payment for access but uses advertising banners to go beyond supporting itself and into the realm of generating revenue?  What then?  And how about the image appearing in the article itself? The answer is readily apparent if the story revolves around the photograph, because then it is simply "fair use" and I have no claim.  But if it's something they're using to illustrate the story or advert, what then?  My rights as the copyright holder with this license on my image are far from having precedent in the courts.  I'm also uncomfortable because CC doesn't make it terribly clear what happens, once I've licensed it as free for non-commercial use, to my ability to license this image out should an opportunity present itself for the (ill-defined) commercial usage.

If I hadn't recently had dealings with a business entity for the right to use one of my photographs I don't know that this question would ever have occurred to me or been an issue.  But I have, so now it's a concern, because I want to protect myself as well as the person I was dealing with.  Two weeks ago, after posting one of my photographs, I was asked if I would permit it to be used on a web page for a business.  Without the kindness of the business owner the opportunity to shoot that photograph would never have existed!  Because of that I was all too happy to grant usage rights, the only restriction being that I receive credit for the image.  They seemed okay with that and since we both understood it was a non-exclusive right I had granted to them everything seemed okay.  Now what happens if I convert that over to CC?  What happens then?

Perhaps I am being as paranoid as some of the article authors I linked to above.  Maybe I just need somebody to point me to the definitive guide that says "Look, dummy, here is what you can and cannot do once you've licensed your image under 'CC attribution-Noncommercial-No Derivative Works 3.0'."  I have to say, though, until I have better answers or feel more comfortable with this I'm going to stick with no CC licensing and just the default copyright notice.

[1] I am not a copyright lawyer, nor do I play one on TV, but plenty of talented people ARE and I have a legal plan through my employer that can quickly put me in touch with a lawyer for almost any need I might have.  This leads me to having a high comfort factor (known as a "warm and fuzzy feeling") about leaving a standard copyright on my photographs.
  • Listening to: Rage Against the Machine - Wake Up
  • Reading: Stephen King - Night Shift
  • Watching: House, M.D.
  • Eating: Olive Garden
  • Drinking: Gin & Tonic
I still live!  And seemingly so does my dART account.  Let that be proof that your footsteps are never really erased on the Interwub.

Recently I bought a brand-new camera of digital joy.  As a result I've been taking hundreds of photos of ... everything and anything around me.  Maybe I can put this account to some good use since I finally have some sort of purpose for it.
  • Listening to: Dr Steel -- Build the Robots
  • Reading: Tom Clancy -- Executive Orders
  • Watching: House, M.D.
  • Playing: Portal
  • Eating: Cold pizza
  • Drinking: Coffee